Secondly I have a Gosforth cancel with K52 duplex is this a common or rare cancel?


Thanks in advance for any replies
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AMark wrote:All PB images have been replaced in this thread.
Welcome back.skilo54 wrote: Hi everyone, looks like I'm back and ready than ever to talk about these lovely treasures!
Have a good one,
Skilo54
I agree with Allan's descriptions of the controls but the plating information in the Stanley Gibbons Specialised Catalogue, Volume 2, needs updating. The plates known to collectors as Plates 3a, 9a and 15a are Official Plates 44/106, 39/101 and 40/102 respectively. These three plates were put to press only at Somerset House and were not delivered to the contractors (Harrison). Regarding the 1d Die 1b, the catalogue recognises 16 plates, but 18 were put to press. The three Somerset House plates should be added to the 16 to make 19, which means one too many, so one plate in the listing must be a state of another plate. The obvious candidate is Plate 1 which is described as having no printer's marking, and could be an early state of one of the other plates. However, I have a large block comprising the bottom two rows, with no marking, but I cannot match it to any other plate — this is where tiny "fly-speck" plate flaws are useful, but I can't find any!tallanent wrote:Somerset House Printings
Given that there appears to be some confusion over the assignment of Somerset House printings compared to those of Harrisons, I thought that some additional notes may assist here ...
Three types of control are generally listed ..
1 .. A 11 which is assigned for those printed at Somerset House
2 .. A 11(c) - Harrisons with 1 1/2mm gap between the two figure 1's
3 .. A 11(w) - Harrisons with 2mm gap
For the record - all the examples I have seen of Somerset House (control with dot) have the 2mm gap.
The records show that the Somerset House printings were made from plates 3, 9 and 15 - and we know that these plates were later re-worked in some way as plates 3b, 3c, 9b and 15b are known. Hence the original plates are known to collectors as plates 3a, 9a and 15a.
As already mentioned plates 9a and 15a (SH) had the additional rule at the bottom and the two items shown together show that these plates can be ruled out.
The following shows that the spacing between the figures is the same -- 2mm
With these two plates excluded, we are only left with the original state of plate 3, (what collectors call plate 3a) and I would contend that the cut on the right side rule was added to a repaired plate - and regardless of which plate this was - it was not printed from in this state at Somerset House.
As a side note - that by reading through some of these post - seems to have been overlooked - I will restate that Somerset House printings have the dot. If you look at the Gibbons specialised catalogue for the controls for this issue (die 1b) it is actually shown ... albeit that they use a very small font and you do have to look closely ...
ALLAN
I agree with everything you have said mozzerb.mozzerb wrote:The so-called Q for O varieties -- because come on, they're not actually different letters, just breaks that give the (sometimes very) approximate appearance of a Q -- are identifiable as specific positions. Looking at the catalogue photos, on reflection yes this might be enough compared to some of them. However, SG are surely going to need at least one more example to suggest it's constant before listing it, and preferably have it identified by position and control.
Many thanks. I’ll take a look now.AMark wrote:Hi Glen,
I am not sure if you have seen this thread, but I hope that it may answer a question or two.![]()
GB KGV 1d "Downey Head" stamps. A Detailed look & Discussion
Excellent. Thanks for the info Goober.Goober wrote:Hiya, ref the postmark query, rotate the stamp to the left and what you have there is a GB roller cancel, probably parcel - I ran the image through Retroreveal, see below, what you thought was a box is clearly an E - the whole thing then becomes E.X - unfortunately I have no clue as to what office this relates to but it should give you something to work with if you wish to pursue it.
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